Mysterious is an artful rustic-chic style taxidermy alternative of a whitetail deer buck. He features an understated neutral palette with subtle intricate details that unfold with closer observation. Just as it’s name implies, Mysterious is never obvious or simplistic.
Inspired by a brown and gray agate slice encircled with gold metallic, grey Czech, and brown seed beads flow down and around its center, their movement splitting around the lovely agate centerpiece. Dark brown and smoky black are added to brown and gray patchwork areas, some more delicate than others adding depth and contrast defined by lines of gold. Natural blue labradorite with a chatoyant grey-blue flash outline the outer eyes and sides while natural jute encases his antlers. Two bronze diamond faceted beads at the back and fore enhance the central line of the design. Faceted barrel beads of natural Botswana Agate, running up and down the center are as important to the design as the central Agate slice itself. His sleek design and neutral colors are a perfect example of a rustic-chic taxidermy alternative.
Metaphysically these stones are thought to help with attentiveness to detail, consistency, perseverance, and stimulating exploration of the unknown. The colors, lines, curves and details of Mysterious provoke different images and thoughts for everyone. Are the metaphysical attributes of Agate real? This is a mystery for you to decide.
Continue reading below to see the making of Mysterious.
is available for purchase for
16.25″ w × 19″ l × 16″ h
The Making of Mysterious
This whitetail buck required quite a bit of cleaning. He had obviously sat out in nature for some time before being taken in. Both nasal bones were fortunately still with him (barely) although they inevitably fell off during this process. The even light coloration of his antlers both impressed and mystified me. I haven’t seen that often, especially in a buck in his condition.
I initially considered leaving his upper nasal bones off, as I did with Ancient Warrior but that didn’t seem to suit this piece. During this part of the process I lovingly nick-named him “Topsy Tervy”. His skull was so light and antlers so heavy that he constantly tipped over without support. I fell in love with the shape of his antlers. But those antlers gave me quite a few “love taps” on the head! Along the way of the clay process he became more and more stable, especially after reintroducing the nasal bones.
I chose a very pale gray for this piece in order to keep with his neutral color scheme. I liked that the color was very close to the that of the natural skull tone. Staying with that theme, the jute used around his antler bases was also kept natural.
Bead Selection and Beading
Oops! I was so excited about this bead work layout and how well it came together that I forgot to take any pictures of the process! I was already to this stage when I finally remembered. But I do think it is a good example of the process underway.
At first, working with this skull and these beads I had thoughts of a dry riverbed or a rivers edge. But the central flowing line seemed like a path or was it a map? The night I finished beading him I showed my husband. He held him, turning him this way and then that to take everything in. Finally he said, “He looks so…mysterious.” I got goose bumps and my mouth fell open! Of course! Mysterious he is.